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Dialogue - Review
Border Farm at the South London Gallery
Two reviews of the SLG's screening of the Thenjiwe Nkosi's docudrama on a group of Zimbabwean "border jumpers"
Posted: Mar 15 2011 | More...
Dialogue - Review
Martin Creed's latest show at Hauser & Wirth's Savile Row galleries
Posted: Feb 18 2011 | More...
Dialogue - Review
A show of three young artists that display strong narratives in their work, showing until 12 March 2011
Posted: Feb 01 2011 | More...
Dialogue - Review
Unheralded Stories at Purdy Hicks
Tom Hunter's solo show at Purdy Hicks gallery on the Southbank, running until January 15th 2011
Posted: Dec 14 2010 | More...
Dialogue - Preview
Our last preview of the year sees openings at LIMA ZULU, Flowers, John Martin, Hive and last chances this...
Posted: Dec 13 2010 | More...
Dialogue - Preview
Openings at Pilar Corrias, Josh Lilley, Space in Between and talks at Gasworks, Paradise Row, and the RCA
Posted: Dec 06 2010 | More...
Dialogue - Review
Bloomberg New Contemporaries 2010 at ICA
The old lady of 'new artist' awards returns to the ICA this year with outstanding film and video...
Posted: Dec 03 2010 | More...
Dialogue - Review
Zigelbaum + Coelho at Riflemaker
Riflemaker exhibits the Miami Basel Designers of the Future award-winners, running until 31 March
Posted: Dec 01 2010 | More...
Dialogue - Review
Seventeen's latest exhibition, 'a show with Tourette's', which is open until 23rd December 2010
Posted: Nov 27 2010 | More...
Dialogue - Review
Newspeak part II at The Saatchi Gallery
The second part of The Saatchi Gallery's blockbuster new British art show showing in London
Posted: Nov 25 2010 | More...
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Tom Wright
The Turner Prize is a tense affair. I was tense as I entered, everyone else seemed tense as they shuffled around and the artists themselves must be tense; it is a competition after all.
Why is everything connected to this infamous exhibition constantly on edge? Love it or loathe it. Ridicule or embrace. The Turner Prize offers nothing less than a constant debate on our senses. I entered not knowing whether or not I should like any of the work and left equally baffled. I did like it but seem to feel decidedly sheepish because of it. And that makes me tense.
Each room seems taut with anxiety as the artists present themselves for your attention. All the work is loaded to bursting point with meaning, exploring a wide variety of subjects but linked through their mutual tension. Cathy Wilkes' work - a diaristic and seemingly confessional collection of everyday objects - is achingly awkward in its configuration. The components seem trapped in their surroundings, stripped of the ritual meaning we apply to them and left empty, desperate for a new dimension and attached ideals.
Runa Islam's short films are laced with stresses of the human condition. Be The First To see What You see As You see It, is car crash cinema at its most literal; a perverse satisfaction comes from seeing cups and plates crash to the floor. The skill of the film making enhances the juxtaposition between the expected and the anticipated. It's present in each of her films and through the exhibition as a whole.
Whether it's Mies van der Rohe's relationship with his lesser known assistant or an attempt to reclaim a subversive, nothing sits lightly in The Turner Prize. It doesn't always come easily but there's beauty in all of it, too much talent is present for it not to be.
One elderly couple remarked solely that it was a waste of nice crockery. Too many people miss what is happening here. I think this is what makes me tense. The Turner Prize runs until the 18th of January. For more information, click here.