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Dialogue - Review
Border Farm at the South London Gallery
Two reviews of the SLG's screening of the Thenjiwe Nkosi's docudrama on a group of Zimbabwean "border jumpers"
Posted: Mar 15 2011 | More...
Dialogue - Review
Martin Creed's latest show at Hauser & Wirth's Savile Row galleries
Posted: Feb 18 2011 | More...
Dialogue - Review
A show of three young artists that display strong narratives in their work, showing until 12 March 2011
Posted: Feb 01 2011 | More...
Dialogue - Review
Unheralded Stories at Purdy Hicks
Tom Hunter's solo show at Purdy Hicks gallery on the Southbank, running until January 15th 2011
Posted: Dec 14 2010 | More...
Dialogue - Preview
Our last preview of the year sees openings at LIMA ZULU, Flowers, John Martin, Hive and last chances this...
Posted: Dec 13 2010 | More...
Dialogue - Preview
Openings at Pilar Corrias, Josh Lilley, Space in Between and talks at Gasworks, Paradise Row, and the RCA
Posted: Dec 06 2010 | More...
Dialogue - Review
Bloomberg New Contemporaries 2010 at ICA
The old lady of 'new artist' awards returns to the ICA this year with outstanding film and video...
Posted: Dec 03 2010 | More...
Dialogue - Review
Zigelbaum + Coelho at Riflemaker
Riflemaker exhibits the Miami Basel Designers of the Future award-winners, running until 31 March
Posted: Dec 01 2010 | More...
Dialogue - Review
Seventeen's latest exhibition, 'a show with Tourette's', which is open until 23rd December 2010
Posted: Nov 27 2010 | More...
Dialogue - Review
Newspeak part II at The Saatchi Gallery
The second part of The Saatchi Gallery's blockbuster new British art show showing in London
Posted: Nov 25 2010 | More...
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art advisory - looking for something specific or help in finding work by early career artists. contact info@murmurart.com
Josephine Breese
Living in a big city forces our gaze upwards, beyond the pace of teeming pavements and towering office blocks for a glimpse of trees and sky. Luckily we are blessed with ample public green space in central London and now have a chance to pause and reassess things from a reverse perspective.
Overlooking the boating lake from a tree house in a leafy part of Regent's Park, city life seems oddly serene. The peace is accompanied by removed sounds: the bash of metal wind chimes, intermittent bursts on a piano - varying from accomplished duets to multiple bouncing children - and industrious sawings and chippings from a wood whittling circle below.
Following the impetus of collaborators Claudia Moseley and Stephanie Smith, a core group of volunteers and numerous helpers are responsible for The Treehouse Gallery. The proposal to The Royal Parks was received with uncharacteristic eagerness and processed at unusual speed. Suppliers reacted with similar encouragement, donating materials to be transformed into the village of tree houses. The structures do not harm the trees as they are suspended from branches thanks to the climbing skills of those involved. The results include a sky high library, hanging pods from which to contemplate the water, symposium spaces, a replenished table of food to encourage the dying activity of communal eating and growing herbs and vegetables.
Wood and metal heaped in a promising pile indicates continuing schemes to add to the site in the spirit of ongoing building, thinking, learning, sharing and making. This ethos of opportunity, diversity and inclusion results in an unsystematic approach to immediate plans but cultivates creative contribution.
Perhaps classifiable within the recent upsurge of pop-up artistic projects, thriving on their temporary status in the current economic climate, The Treehouse Gallery makes an unique statement about the bureaucracy of space. Not only redefining existing space but collapsing the conventional treatment of artistic space and also providing new space where expectations are gently challenged. Designed to be entirely permeable to visitors, viewers become fluid participants, invited to lead or partake in workshops of any topic from poetry to the management of lower back pain.
The determined anonymity and speed of urban experience is shed in this tranquil corner echoing the vibe of creative festival fields. You are called to treat the space as you wish whether to express yourself or just dangle from a treehouse for the afternoon.
The Treehouse Gallery is open from 19th July until 6th September.
Open Mon - Thurs 10am - 4pm and Fri - Sun 10am - 8pm.
Tom Wright
Did David Cameron have a PR agenda when he swore on the radio this week? Quite possibly, he is a politician, behind those dead eyes, tiny cogs must be turning. It made for unnecessary headlines and ridiculous apologies so I was glad to escape to Regent's Park. The Treehouse Gallery could have no spurious agenda, I thought.
Perhaps it does not; perhaps it is just a source of whimsy and entertainment. Art and activities amongst the trees, who could not be enticed by such a thing? Mad groups of six year olds certainly seemed to be entertained. And yet six year olds can be entertained with a pair of spoons, adults on the other hand, will find little whimsy in the unwelcoming campsite.
We wandered about the structures for sometime but were never once greeted, engaged or inspired. A man was whittling and carving a log, I have always wanted to whittle and carve but this was not a class and there were no students, apparently we came on the wrong day for the activities. One of the actual treehouses promised a lofty, arboreal reading room. The approach was certainly steep but all that awaited was a shelf of books covered in bark and tarpaulin. I bet it sounded like a great idea, a library in the trees, until they realised it rains quite a lot.
I hope it is about more than whimsy because the fact that The Treehouse Gallery is happening at all is a great thing. We should be glad that we live in a city that encourages ambitious projects that look to give art back to communities. A glance at the program, though, quickly reveals more than just swings and wind chimes. Amidst the childrens' puppet making and drama workshops sit climate change symposiums, direct action seminars and lectures on organically structured societies in the process of globalisation. An agenda, how did we not see it before? Campsites, treehouses, flowers growing in old tyres, it all makes sense.
And yet, I'm pleased to see that it has one - it sorely needed it - the aesthetic was disappointing, if unfinished, and any sense of community in the centre of a Royal Park is, unsurprisingly, non-existent. Organic living and urban sustainability are important issues that a project like this should embody wholeheartedly. Unfortunately it offers no real solutions. Why not teach practical skills instead of lecturing then having a massage class?
Across London, The Dalston Mill gives us a beautiful and tangible solution to urban ecology and community. It throws the fuzzy world of treehouses in Regent's Park into quite sharp relief.
So maybe The Treehouse Gallery is a little like David Cameron: superficially cheery and hamster cheeked with a nice word or two to say about the environment but up close, not that attractive, shallow on the ideas and a bit of a tw*t.