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Dialogue - Review
Border Farm at the South London Gallery
Two reviews of the SLG's screening of the Thenjiwe Nkosi's docudrama on a group of Zimbabwean "border jumpers"
Posted: Mar 15 2011 | More...
Dialogue - Review
Martin Creed's latest show at Hauser & Wirth's Savile Row galleries
Posted: Feb 18 2011 | More...
Dialogue - Review
A show of three young artists that display strong narratives in their work, showing until 12 March 2011
Posted: Feb 01 2011 | More...
Dialogue - Review
Unheralded Stories at Purdy Hicks
Tom Hunter's solo show at Purdy Hicks gallery on the Southbank, running until January 15th 2011
Posted: Dec 14 2010 | More...
Dialogue - Preview
Our last preview of the year sees openings at LIMA ZULU, Flowers, John Martin, Hive and last chances this...
Posted: Dec 13 2010 | More...
Dialogue - Preview
Openings at Pilar Corrias, Josh Lilley, Space in Between and talks at Gasworks, Paradise Row, and the RCA
Posted: Dec 06 2010 | More...
Dialogue - Review
Bloomberg New Contemporaries 2010 at ICA
The old lady of 'new artist' awards returns to the ICA this year with outstanding film and video...
Posted: Dec 03 2010 | More...
Dialogue - Review
Zigelbaum + Coelho at Riflemaker
Riflemaker exhibits the Miami Basel Designers of the Future award-winners, running until 31 March
Posted: Dec 01 2010 | More...
Dialogue - Review
Seventeen's latest exhibition, 'a show with Tourette's', which is open until 23rd December 2010
Posted: Nov 27 2010 | More...
Dialogue - Review
Newspeak part II at The Saatchi Gallery
The second part of The Saatchi Gallery's blockbuster new British art show showing in London
Posted: Nov 25 2010 | More...
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art advisory - looking for something specific or help in finding work by early career artists. contact info@murmurart.com
Jon Openshaw
His photography is a powerful meditation on human interaction with nature, and not in the overt rape-and-pillage way that you might expect. The collection going on show tomorrow is a series of moody brooding power stations shot a night through slow exposures, but rather than getting snagged on the menace (although the menace is still there) something far more interesting emerges from the haze.
These are solid yet ephemeral forms (to use an annoying contradiction in terms), alien squatters that are somehow at one with the landscape (another almost contradiction). Instead of dwelling on the disjuncture between building and environment, it is the relationship between them that brings about a more holistic change - a change that overcomes and unites both. This brings dynamism and allure to the haunting threat that power stations inevitably possess.
Smith's interest is not in the violence of the buildings, but in our reliance on their existence. The humming nocturnal giants are therefore transformed into objects to meditate upon rather than judge.
Smith is currently working out of the Roof Unit photographic collective in London; more can be found on the Light After Dark series here.