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Preview Jul 20 2009 « | »
Opening this week New shows at London's best two disused space galleries and Jerwood's Painting show tours to Leeds

MONDAY

The week begins with the first opening of ongoing exhibition 'This Is Why We Meet'; a collaboration between independent curators Pat And Trevor, advertising company Wieden+Kennedy, and the University of the Arts London. Performing "an investigation, showcase and celebration of collaborative working practice within the arts", Pat And Trevor have selected 4 students from each college to work together intensively for a one-week period prior to installation.

The project starts with Chelsea College of Art and Design students Kiwon Hong, Daniella Kemal, Hannah Newell and Grace Schofield, whose new and interactive artwork/invention will be exhibited within the Wieden+Kennedy window in East London. Kiwon Hong's multi-coloured cartoon-like machines were my personal highlight of the Chelsea degree show just passed, so it will be exciting to see the results of this collective experiment. For more information, and to view a live blog by the participating students, visit the project website.

THURSDAY

Then on Thursday, 'A Cinema' takes up temporary residence at The James Taylor Gallery in Hackney, combining an exhibition in the labyrinth of its auxiliary rooms with 2 film screenings. The visibly layered history of this monstrous warehouse complex invites filmmakers, artists and curators to interpret the space as a set to feed their own narratives, as well as revealing their differing perspectives and positions across the divide between mainstream and fine art film.

For the main show a makeshift movie theatre will be installed, featuring four up-and-coming artists whose work responds to cinema: Jon Garlick, Eugenia Ivanissevich, Sheena Macrae and Savvas Papasavva. I'd particularly recommend the deconstructionist art/music videos of Jon Garlick, who uses various techniques of re-appropriating and re-editing narrative films (often classic Shakespeare) to creating moving image collages of the real and the fantastical. Furthermore, the exhibition will be accompanied with a screening selected by Jonathan Entwistle, and 'ping pong present screen-play' by Marialaura Ghidini and Gaia Tedone. All details are available online.

FRIDAY

And the week ends with artist/curator Justin Jaeckle's 'Untitled (some kind of a bench mark)', the third commission for the facade of Auto Italia in Peckham. He plans to respond to the building with a series of gestures both practical and ephemeral, introducing elements such as a smokers' bench, a gilded doorway, an altered street lamp and geometric building-jewellery in a new topology of light, surface and underwhelming "mild spectacle".

According to the press release, "sculptural interventions extend the building's reach onto the street in a play of reflections and pools of colour... a slightly perplexed new kid on the block, with aspirations towards camaraderie and the aesthetic sublime." The full and unabridged text is available at auto-italia's website.

TUESDAY

Don't say we never cover events outside of London, as Tuesday brings the private view of the impressive Jerwood Contemporary Painters show at Project Space Leeds. Of course, the privacy of this viewing may have been slightly compromised by the month long public viewing in the Jerwood Space in London, but they'll never notice! The impressive line up includes Matthew Musgrave, Aidan Doherty, Carla Busuttil, Ryan Mosley, Jamie Partridge and former murmur artist Emma Puntis. It runs until 19th September before going on to Cheltenham. More can be found at the Jerwood website.

WEDNESDAY

Another day, another prize show as the less grand City and Guilds photo competition show opens, celebrating the anniversary of their online photography gallery, which - despite quite some enthusiasm - I have of yet been unable to find (The fairly confusing City and Guilds website looks like its selling insurance). It's at the http://www.morleycollege.ac.uk/gallery-and-exhibitions/ by Lambeth North tube, who ask the question: "Why not use the gallery as a learning resource?" And why not.

FRIDAY

From 6.30pm Space Studios/project space host an exhibition ripe with potential like a fat juicy tomato. Sound Escapes is the fruition of "an extensive interdisciplinary research project that has coupled artists with acousticians, engineers, and social scientists across the UK", and questions this research offer up to exploration range from the interesting 'in what ways are our emotions affected by sound?' to the rather obvious 'does the microphone never lie?' (depends what you ask it) to the fairly rhetorical 'can you hear a photograph?' Space's website has more information about the artists on show.

SATURDAY

She's everywhere that Emma Puntis, as her turn comes round for a solo show at the impressive Supplement Gallery, which promises accompanying discussions, events and texts and although the press release seems to be just be one of her paintings, it is enough to lead one to believe her work is moving into exciting new directions. It will run until August 16th, open 12-6pm on Thursday until Sunday every week.

SUNDAY

Worth mentioning this Sunday is Viewfinder Gallery's invitation to turn up for an hour spent first being the frame for one of your photos, then swapping it with someone. It sounds humiliating to me, but I'm not much of a photographer, so make your own mind up at 3pm. In a twist of ultimate pathos, the gallery is 'a charitable company [whose] income is currently too low to register with the Charity Commission'. God someone please give them some money!

This 'Sit-In' accompanies Annett Reimer's exhibition 'Symbiosis', in which she presents a series of photographs in which she interacts with furnishings. I also noticed on their website that 'Deptford Last Fridays', (like Vyner street's First Thursdays) is something happening now, which is good to know.

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