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Dialogue - Review
Border Farm at the South London Gallery
Two reviews of the SLG's screening of the Thenjiwe Nkosi's docudrama on a group of Zimbabwean "border jumpers"
Posted: Mar 15 2011 | More...
Dialogue - Review
Martin Creed's latest show at Hauser & Wirth's Savile Row galleries
Posted: Feb 18 2011 | More...
Dialogue - Review
A show of three young artists that display strong narratives in their work, showing until 12 March 2011
Posted: Feb 01 2011 | More...
Dialogue - Review
Unheralded Stories at Purdy Hicks
Tom Hunter's solo show at Purdy Hicks gallery on the Southbank, running until January 15th 2011
Posted: Dec 14 2010 | More...
Dialogue - Preview
Our last preview of the year sees openings at LIMA ZULU, Flowers, John Martin, Hive and last chances this...
Posted: Dec 13 2010 | More...
Dialogue - Preview
Openings at Pilar Corrias, Josh Lilley, Space in Between and talks at Gasworks, Paradise Row, and the RCA
Posted: Dec 06 2010 | More...
Dialogue - Review
Bloomberg New Contemporaries 2010 at ICA
The old lady of 'new artist' awards returns to the ICA this year with outstanding film and video...
Posted: Dec 03 2010 | More...
Dialogue - Review
Zigelbaum + Coelho at Riflemaker
Riflemaker exhibits the Miami Basel Designers of the Future award-winners, running until 31 March
Posted: Dec 01 2010 | More...
Dialogue - Review
Seventeen's latest exhibition, 'a show with Tourette's', which is open until 23rd December 2010
Posted: Nov 27 2010 | More...
Dialogue - Review
Newspeak part II at The Saatchi Gallery
The second part of The Saatchi Gallery's blockbuster new British art show showing in London
Posted: Nov 25 2010 | More...
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art advisory - looking for something specific or help in finding work by early career artists. contact info@murmurart.com
Harry Williams
This small, artist-run space in Stoke Newington opened on Friday with a new group show, with some interesting pieces from six disparate artists. The title takes its name from the optimum height for displaying pictures in a 19thc. salon (the line - about eight feet high), which also happens to be the height of the gallery ceiling. Like many of these small group shows the theoretical derives of the curator's introduction had little to do with the work on display.
"The debate on the possible effects of the current economical downturn on the art world", which the exhibition purported to explore, was touched upon by Ben Newton's humorous 'The Division of Labour', in which an axe is embedded in a gold ingot. Oliver Clegg's 'House of Cards', made from a pack of German tarot cards and originally shown as part of an exhibition in the Freud Museum, was included as an easy reference to late Capitalism.
Two pieces by Gavin Turk, one of his Tea Stains from 2004, and 'Ash', in which a bronze cone is painted to make it appear like a pile of black ash, made for momentary observations on originality and illusion. Shane Bradford, who has made a career on dipping objects into emulsion paint, provided a 1938 copy of Hitler's 'My Struggle', encased in bright green glossy paint, with hardened drips at the bottom.
The most enthralling piece was perhaps the Egyptian Ayman Ramadan's film 'Iftar'. A group of poor Cairene men are arranged around a table laden with food and drink as in Leonardo da Vinci's 'Last Supper'. They are being filmed whilst eating the meal of Iftar, which breaks the daily fast during the months of Ramadan. They grab hungrily at the food but there is a dignified sense of community amongst them which imbues the scene with a touching warmth, a religiosity even.
On the Line is at Crimes Town Gallery until June 28th. Press here for Crimes Town's {website}.