Go straight to the main content
Dialogue - Review
Border Farm at the South London Gallery
Two reviews of the SLG's screening of the Thenjiwe Nkosi's docudrama on a group of Zimbabwean "border jumpers"
Posted: Mar 15 2011 | More...
Dialogue - Review
Martin Creed's latest show at Hauser & Wirth's Savile Row galleries
Posted: Feb 18 2011 | More...
Dialogue - Review
A show of three young artists that display strong narratives in their work, showing until 12 March 2011
Posted: Feb 01 2011 | More...
Dialogue - Review
Unheralded Stories at Purdy Hicks
Tom Hunter's solo show at Purdy Hicks gallery on the Southbank, running until January 15th 2011
Posted: Dec 14 2010 | More...
Dialogue - Preview
Our last preview of the year sees openings at LIMA ZULU, Flowers, John Martin, Hive and last chances this...
Posted: Dec 13 2010 | More...
Dialogue - Preview
Openings at Pilar Corrias, Josh Lilley, Space in Between and talks at Gasworks, Paradise Row, and the RCA
Posted: Dec 06 2010 | More...
Dialogue - Review
Bloomberg New Contemporaries 2010 at ICA
The old lady of 'new artist' awards returns to the ICA this year with outstanding film and video...
Posted: Dec 03 2010 | More...
Dialogue - Review
Zigelbaum + Coelho at Riflemaker
Riflemaker exhibits the Miami Basel Designers of the Future award-winners, running until 31 March
Posted: Dec 01 2010 | More...
Dialogue - Review
Seventeen's latest exhibition, 'a show with Tourette's', which is open until 23rd December 2010
Posted: Nov 27 2010 | More...
Dialogue - Review
Newspeak part II at The Saatchi Gallery
The second part of The Saatchi Gallery's blockbuster new British art show showing in London
Posted: Nov 25 2010 | More...
March 2011 (1)
Febuary 2011 (2)
December 2010 (5)
November 2010 (12)
October 2010 (10)
September 2010 (13)
August 2010 (9)
July 2010 (13)
June 2010 (5)
May 2010 (7)
April 2010 (8)
March 2010 (15)
Febuary 2010 (14)
January 2010 (13)
December 2009 (11)
November 2009 (15)
October 2009 (11)
September 2009 (6)
August 2009 (11)
July 2009 (9)
June 2009 (7)
May 2009 (15)
April 2009 (16)
March 2009 (18)
Febuary 2009 (13)
January 2009 (18)
December 2008 (12)
November 2008 (9)
October 2008 (11)
September 2008 (7)
August 2008 (6)
July 2008 (8)
June 2008 (3)
art advisory - looking for something specific or help in finding work by early career artists. contact info@murmurart.com
Dean Kissick
A few weeks ago I was running around the private view for Show RCA One, the Fine Art & Applied Art degree show at my very own college. It was very bright, very crowded, very hot, and all rather overwhelming. But amongst the chaos I collided with a Director from one of London's very best galleries; he was walking around with a nonplussed expression on his face, and asked his friend:
"Where's all the art?"
"It's everywhere! This whole gallery is art" we replied.
"Is this really art?" he asked, rolled his eyes, and walked away looking unimpressed!
In my opinion there were actually lots of amazing students in the show, maybe some might end up with that Director's gallery, but nevertheless he had a point.
After all, how can we find superstars of the future in an overcrowded degree show? How can we really appreciate 1 or 2 or 3 or 4 years of hard work as we rush through a busy opening night? Perhaps we cannot because our tastes are so personal and subjective, because a good artist cannot show their entire practice in one college exhibition space, because most good artists are always refining and reinventing their work. But even so, it's interesting to try talent-spotting anyway. and really almost everyone that visits these shows is looking for their favourites. Why else would you go?
So how should we find 'the next big thing.'? Here's some ideas:
* Most importantly, trust your instincts! And don't believe the hype, just form your own opinions (from your head or your heart, either's ok).
* Don't worry about judging a book by its cover, you can always read it later. if you like an artist then take their card and research their work. Visit their website, their future shows, their studios, and hopefully you'll start to love their art. Or hate it.
* In a recession everyone's looking for the new generation, for the zeitgeist, so try to find an interesting trend across the shows. so far this summer I'd recommend art that's shiny and colourful, fantastic and playful, overblown and post-Baroque.
* MA shows are always better than BA shows, and the best art colleges usually produce the best artists. well that's what I think anyway!
Catriona Warren
The BA and MA degree shows on this month and next are a god hunting ground if you want to buy the work of emerging young artists. There is no need to feel intimidated when you go to a student show. There is no haughty receptionist or hovering dealer. Just enjoy the show and take the kids - children have a straightforward enjoyment of a lot of contemporary art.
If you see something you like don't be afraid to ask to speak to the student and to ask them to tell you about their work. All students are used to discussing the art they make and will most likely be delighted by your interest. If you like their work but no particular piece grabs you, ask if you can go and visit their studio after the degree show. Make sure they have your name and address so they can send you invitations to any of their future shows. I stress again that the students will be really pleased by interest.
Prices at degree shows can be erratic - it's difficult for students to know how to price their work, and although it can be expensive for an unknown, it's more often ridiculously cheap. If you genuinely think the price is too high, you can discuss it with the artist, but in general you shouldn't try to bargain down a struggling student or ask them for a discount.
You might strike lucky and buy the work of a young artist whose career then takes off, but by and large you shouldn't buy student work with a view to it being a good investment. You don't expect the money you spend on your sofa or your curtains to be an investment and you should view the painting or sculpture as something that is going to enhance your home and give you pleasure to look at. Even if an artist does become successful, their style will almost certainly develop and the demand is likely to be for their new work rather than what they did at art school. On the other hand, you might not be able to afford to buy from an established artist, so it is worth taking a punt on them while they are still an unknown quantity before they are taken on by a gallery and their prices rise.
The best way to get your eye in and to gain confidence, as well as to get a feel for prices,is to go to as many degree shows as you can. The BA degree shows in London come thick and fast in June, so much so that it is almost impossible to see them all. If you only have time to visit one, the BA show I have most enjoyed thus far is the Wimbledon Sculpture Show. If you live outside London, check your local art college to see when their degree show is on - it will almost certainly be in June.