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Dialogue - Review
Border Farm at the South London Gallery
Two reviews of the SLG's screening of the Thenjiwe Nkosi's docudrama on a group of Zimbabwean "border jumpers"
Posted: Mar 15 2011 | More...
Dialogue - Review
Martin Creed's latest show at Hauser & Wirth's Savile Row galleries
Posted: Feb 18 2011 | More...
Dialogue - Review
A show of three young artists that display strong narratives in their work, showing until 12 March 2011
Posted: Feb 01 2011 | More...
Dialogue - Review
Unheralded Stories at Purdy Hicks
Tom Hunter's solo show at Purdy Hicks gallery on the Southbank, running until January 15th 2011
Posted: Dec 14 2010 | More...
Dialogue - Preview
Our last preview of the year sees openings at LIMA ZULU, Flowers, John Martin, Hive and last chances this...
Posted: Dec 13 2010 | More...
Dialogue - Preview
Openings at Pilar Corrias, Josh Lilley, Space in Between and talks at Gasworks, Paradise Row, and the RCA
Posted: Dec 06 2010 | More...
Dialogue - Review
Bloomberg New Contemporaries 2010 at ICA
The old lady of 'new artist' awards returns to the ICA this year with outstanding film and video...
Posted: Dec 03 2010 | More...
Dialogue - Review
Zigelbaum + Coelho at Riflemaker
Riflemaker exhibits the Miami Basel Designers of the Future award-winners, running until 31 March
Posted: Dec 01 2010 | More...
Dialogue - Review
Seventeen's latest exhibition, 'a show with Tourette's', which is open until 23rd December 2010
Posted: Nov 27 2010 | More...
Dialogue - Review
Newspeak part II at The Saatchi Gallery
The second part of The Saatchi Gallery's blockbuster new British art show showing in London
Posted: Nov 25 2010 | More...
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art advisory - looking for something specific or help in finding work by early career artists. contact info@murmurart.com
Dean Kissick
WEDNESDAY
'Is the Underground Over?'* asks Frieze Art Fair, proposing the death of subculture in a feature-length podcast... Anyway Frieze opens and the underground follows; "when the seagulls follow the trawler, it is because they think sardines will be thrown into the sea."
THURSDAY
Zoo Art Enterprises opens, including specially curated exhibitions by Rob Tufnell, Studio Voltaire, FormContent and LUX. Now that Frieze has stolen all the young galleries, Zoo is promoting independent spaces, and the inclusion of FormContent is particularly fascinating. This curatorial project space is presenting 'The Filmic Conventions', a choral video installation of amazing young video artists including Thomas Lock, Laure Prouvost, Dan Shaw-Town & Tim Winter, and Jason Underhill.
And from Thursday to Friday, Peckham's artist-run super-space Auto Italia (pictured) hosts a temporary programme of five exciting events...
It all begins with 'NEW DISPLAY STRATEGIES: RICH MASTERPLANS THAT CAN SUSTAIN COMPLEX AND SUCCESSFUL INSTITUTIONS', a "contemporary fashion extravaganza" by Richard John Jones in association with Josh Love and Carlos Monleon Gendel, featuring a T-shirt inspired by Picasso's 'Women of Avignon', a sculptural recreation and a presentation, all soundtracked by Chicago juke mixed exclusively by Ximon Tayki.
FRIDAY
It's the opening of JT Project 09, an ambitious collection of shows by local artist-run organisations (Fieldgate Gallery, Five Years, Katie Guggenheim, Supine Studios, The Centre of the Universe and Transition Gallery) hosted by James Taylor Gallery within their vast Victorian warehouse... "an opportunity for new collaborations, a series of compromises, a grand experiment."
I'm especially excited by 'The Triumph of the Will' by The Centre of the Universe, an epic exhibition featuring James Balmforth, Gareth Cadwallader, David Ferrando Giraut, Lewis Ronald, Boo Saville, Matthew Stone and Superblu.
And Katie Guggenheim's 'Melrose Place' (pictured) looks brilliantly fun, remaking a 1995 project in which a group of CalArts students formed the GALA Committee and collaborated with the producers of Melrose Place to insert artworks into the TV show. Original episodes of the series will be screened within a set styled as an open-plan loft apartment, and artists Jennifer Bailey, Olivier Castel, Danielle Dean, Justin Jaeckle, Kazimierz Jankowski, Rachel Pimm and Patrick Shier will produce a series of interventions into an environment combining the domestic, the theatrical and the fictional.
And finally for Friday, it's the timely 'I don't know how close I am to a mountain AND you must have something to do with this' at Auto Italia, in which S/Z (Sarah Elliot and Zayne Armstrong) perform "an investigation of how Frieze Art Fair functions as a pedagogical structure."
SATURDAY
Saturday brings two new events at Auto Italia, including another Katie Guggenheim project; for 'GUIDED TOURS' the three curators Bettina Brunner, Kathy Noble and Francesco Pedraglio will present fictional guided tours of Auto-Italia, through the medium of writing...
"Please do not feel anxious, ghosts are harmless. There is nothing to fear."
And then for 'Better Place Portraiture: Fantasmagora' the artists Darren Banks and Flora Whiteley will be hosting a bestial séance as part of their ongoing psychic collaboration. Visitors will be invited to share a memory of a departed pet, and in return the team will endeavour to make contact and provide a portrait from beyond the grave, as spirits are cast onto paper through the medium of drawing.
SUNDAY
And finally it's my project, 'ENTRANCE & UNDERGROUND: THE SEQUEL', a curatorial collaboration with Marcus Mitchell and Eszter Steierhoffer involving a playful interrogation of theatricality in exhibitions and a revisitation of a past collaboration. The night features a spectacular performance orchestrated by Nazareno Crea; a professional motocross rider will perform stunts on a stage of polychromatic glitter, accompanied by a musical soundtrack provided by a guest soprano from the Royal College of Music mashed together with "German nosebleed techno" by Drama Society. It's amazing, do come along!!!
Donald Eastwood
It's Frieze week indeed, and if you are going to the big top at the centre of the art world circus, one thing you could do is listen to this talk, entitled Platitudes about Contemporary Art, in which a panel including Turner prize favourite Roger Hiorns and Guardian blog favourite Adrian Searle discuss art world Truisms. Namely that contemporary art is elitist, confusing and irrelevant; that it is peddled by unskilled charlatans conning the general public; and that poor artists will be more inventive and radical because they are not corrupted by the market. Unfortunately the panel doesn't seem to include someone who might peddle such truisms, but the interesting one-sided fight should be a crowd pleaser. More Frieze talks here.
MONDAY
The other notable fairs happening this week include the third and last annual Free Art Fair, which begins Monday at the Barbican and offers you the chance to get your hands on art for free, by bringing along a registration form between 2-3.30pm on Sunday 18 October in Garden Room Level 3 of the Barbican Centre and staying until 4-5pm for the giveaway. You can find the catalogue online via this link.
WEDNESDAY
On Wednesday the excellent All Visual Arts presents The Age of the Marvellous, the result of the support they have given a range of up-and-coming and established star artists. Last year was their first show with Paul Fryer, now the collection is growing - learn about their concept, what they have done in the last year and about this show opening in the former Holy Trinity Church on their website here.
Up the road on the corner of Regents Park Road and Sharpleshall Street (here), and connected to the Frieze by more than just a shuttle bus, The Museum of Everything's Exhibition no.1 is to show just artists and creators living outside of modern society, selected by quite famous names in modern society:
"In tiny crevices and under dusty beds, there lies a secret creativity by the unknowns of society. Unexpected, delicate and profound, this democratic work has inspired the world's greatest artists.
See their website here, taking particular notice of the events and happenings.
THURSDAY
Then back down south again in the former residence of the Sierra Leonian ambassador on Portland Place, 20 Hoxton Square in collaboration with Zoom Art Projects present 'Embassy' subtitled 'How not to run a country'. Works in the dystopian embassy include a palace built by Alistair Mackie, an embroidered blood and tear soaked boxing ring by Michael Lisle-Taylor and three Florida ballot boxes from the 2000 presidential elections. Read more about it here.
Another private view on thursday night - though this time as one of the many shows around Spitalfields to tie in with the Zoo Art fair - is Inhabitants, which shows an installation of paintings, drawings and objects from Marenka Gabela and Sarah Douglas in an 18th century Hugenot house of telly architectural historian Dan Cruikshank.
The press release says: "The installation is organised so that the threshold is dissolved between the internal worlds depicted in the works, and the exterior world of the space itself. When these boundaries are merged and transformed, an alternative psychological space is revealed, where the real and imagined coexist and intertwine. Questions are raised about what is meant by reality; can the past be more real than the present, dreams more tangible than reality?"
Read more about it on the exhibition blog here.
SATURDAY
It is the turn of the exciting up and coming artist Matthew Musgrave this weekend at Supplement Gallery, whose very matter-of-fact annual solo exhibition programme seems to let the Frieze hoo-haa skip by like life past weary eyes. Musgrave featured in our own exhibition in Selfridges this summer and his small and beautiful paintings are well worth seeing. You can get sneak a peak online at the Supplement website here.