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Dialogue - Review
Border Farm at the South London Gallery
Two reviews of the SLG's screening of the Thenjiwe Nkosi's docudrama on a group of Zimbabwean "border jumpers"
Posted: Mar 15 2011 | More...
Dialogue - Review
Martin Creed's latest show at Hauser & Wirth's Savile Row galleries
Posted: Feb 18 2011 | More...
Dialogue - Review
A show of three young artists that display strong narratives in their work, showing until 12 March 2011
Posted: Feb 01 2011 | More...
Dialogue - Review
Unheralded Stories at Purdy Hicks
Tom Hunter's solo show at Purdy Hicks gallery on the Southbank, running until January 15th 2011
Posted: Dec 14 2010 | More...
Dialogue - Preview
Our last preview of the year sees openings at LIMA ZULU, Flowers, John Martin, Hive and last chances this...
Posted: Dec 13 2010 | More...
Dialogue - Preview
Openings at Pilar Corrias, Josh Lilley, Space in Between and talks at Gasworks, Paradise Row, and the RCA
Posted: Dec 06 2010 | More...
Dialogue - Review
Bloomberg New Contemporaries 2010 at ICA
The old lady of 'new artist' awards returns to the ICA this year with outstanding film and video...
Posted: Dec 03 2010 | More...
Dialogue - Review
Zigelbaum + Coelho at Riflemaker
Riflemaker exhibits the Miami Basel Designers of the Future award-winners, running until 31 March
Posted: Dec 01 2010 | More...
Dialogue - Review
Seventeen's latest exhibition, 'a show with Tourette's', which is open until 23rd December 2010
Posted: Nov 27 2010 | More...
Dialogue - Review
Newspeak part II at The Saatchi Gallery
The second part of The Saatchi Gallery's blockbuster new British art show showing in London
Posted: Nov 25 2010 | More...
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art advisory - looking for something specific or help in finding work by early career artists. contact info@murmurart.com
Donald Eastwood
'People are talking about the financial markets,' says one collector in the hailstorm of art market gossip articles from yesterday's VIP and press day at London's most important contemporary art event of the year. The general assessment is that 'the worst financial crisis since 1929' has slowed the usually frantic VIP only morning down, but sales are still pressing on with teeth-clenching optimism.
The big galleries there, Gagosian, White Cube, Lisson etc were all selling as well as always, according to other gosssip sources. Various writers attribute this to a retained strenght at the top and bottom of the market, but a falling away in the middle. All interesting speculation, but in the choice idiom of the autumn, it is still too early to tell.
It has always been a strange event in that respect, however. Far more about the people, the market and the hob-nobbing than the art. The art itself is sometimes irritatingly safe. Its worth reading Oliver Marre's piece here - not for more dull gossip and celebrity spotting but for the his last paragraph on the disclaimer obliged to Norma Jeane's 'The Straight Story', which as he rightly pointed out, was very busy. At one point a trolley carrying chilled champagne to stall holders passed and drew equal attention.
It is a great chance to see the work of most of the most celebrated artists of our times in one place, of course, and the schedule of talks, which you can find here, looks very interesting - Jennifer Allen's discussion on temporality in art exhibitions in particular. Have a look at the mesmerizingly beautiful Petroc Sesti glass ball at E14 as well, before you feel the inevitable buckling in the face of the shear scale of the thing.
Frieze Art Fair is open to the public from 11am-7pm , 16-19 October. Get tickets from this site.
Above image Siobhán Hapaska, "Pause" (2008). Available at the Kerlin Gallery booth.