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Dialogue - Review
Border Farm at the South London Gallery
Two reviews of the SLG's screening of the Thenjiwe Nkosi's docudrama on a group of Zimbabwean "border jumpers"
Posted: Mar 15 2011 | More...
Dialogue - Review
Martin Creed's latest show at Hauser & Wirth's Savile Row galleries
Posted: Feb 18 2011 | More...
Dialogue - Review
A show of three young artists that display strong narratives in their work, showing until 12 March 2011
Posted: Feb 01 2011 | More...
Dialogue - Review
Unheralded Stories at Purdy Hicks
Tom Hunter's solo show at Purdy Hicks gallery on the Southbank, running until January 15th 2011
Posted: Dec 14 2010 | More...
Dialogue - Preview
Our last preview of the year sees openings at LIMA ZULU, Flowers, John Martin, Hive and last chances this...
Posted: Dec 13 2010 | More...
Dialogue - Preview
Openings at Pilar Corrias, Josh Lilley, Space in Between and talks at Gasworks, Paradise Row, and the RCA
Posted: Dec 06 2010 | More...
Dialogue - Review
Bloomberg New Contemporaries 2010 at ICA
The old lady of 'new artist' awards returns to the ICA this year with outstanding film and video...
Posted: Dec 03 2010 | More...
Dialogue - Review
Zigelbaum + Coelho at Riflemaker
Riflemaker exhibits the Miami Basel Designers of the Future award-winners, running until 31 March
Posted: Dec 01 2010 | More...
Dialogue - Review
Seventeen's latest exhibition, 'a show with Tourette's', which is open until 23rd December 2010
Posted: Nov 27 2010 | More...
Dialogue - Review
Newspeak part II at The Saatchi Gallery
The second part of The Saatchi Gallery's blockbuster new British art show showing in London
Posted: Nov 25 2010 | More...
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art advisory - looking for something specific or help in finding work by early career artists. contact info@murmurart.com
Ruth Collins
It is rare that curators are given recognition for their attempts to strike a careful balance between art works on display and the exhibition space they inhabit. Yet this is exactly what is happening at the Royal College of Art Galleries in a new exhibition organised by 13 graduating students of the Curating Contemporary Art MA course.
The exhibition draws inspiration from British artist Chris Evans, who fly-posted a silkscreen poster around Kilsyth in Scotland advertising the reunion of a fictitious organisation called Friends Of The Divided Mind. Celebrating curatorial artistry and the collaborative efforts taken to display contemporary art for different audiences, the collection seeks to question and simultaneously redefine our ideas of what art, art institutions-and indeed artistic space- can do.
Both separately and in tandem, the exhibition's four components open the students' debate to the public through a range of media. Three of these sections are dedicated to experimental forms of institutional space: from Entrance & Underground which explores three different artistic spaces in London, ULU| contemporary art which presents a newly devised structure for a contemporary art institution in Ia?i, Romania, to Office of Real Time Activity which offers an experimental forum for spatial configuration and stretches the conceptual boundaries of how we perceive both time and institutional space.
The fourth component, Retracing Exhibitions, innovatively brings together an array of works which pay tribute to past exhibitions. Perhaps one of the most striking displays is John Salvest's installation of notes, annotated press releases and postcards compiled by New York art critic Kim Levin over three decades of working in the industry. This piece is emblematic of all the works on display in this section and highlights that artistic processes, along with the exhibitions themselves, should be documented and will stand the test of time. They are testament to the fact that art is not ephemeral, but continues to live and breathe in one new artistic space or another.
Friends Of The Divided Mind runs from 18th - 29th March 2009 11am-6pm at the Royal College of Art. For more information, click here.