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Dialogue - Review
Border Farm at the South London Gallery
Two reviews of the SLG's screening of the Thenjiwe Nkosi's docudrama on a group of Zimbabwean "border jumpers"
Posted: Mar 15 2011 | More...
Dialogue - Review
Martin Creed's latest show at Hauser & Wirth's Savile Row galleries
Posted: Feb 18 2011 | More...
Dialogue - Review
A show of three young artists that display strong narratives in their work, showing until 12 March 2011
Posted: Feb 01 2011 | More...
Dialogue - Review
Unheralded Stories at Purdy Hicks
Tom Hunter's solo show at Purdy Hicks gallery on the Southbank, running until January 15th 2011
Posted: Dec 14 2010 | More...
Dialogue - Preview
Our last preview of the year sees openings at LIMA ZULU, Flowers, John Martin, Hive and last chances this...
Posted: Dec 13 2010 | More...
Dialogue - Preview
Openings at Pilar Corrias, Josh Lilley, Space in Between and talks at Gasworks, Paradise Row, and the RCA
Posted: Dec 06 2010 | More...
Dialogue - Review
Bloomberg New Contemporaries 2010 at ICA
The old lady of 'new artist' awards returns to the ICA this year with outstanding film and video...
Posted: Dec 03 2010 | More...
Dialogue - Review
Zigelbaum + Coelho at Riflemaker
Riflemaker exhibits the Miami Basel Designers of the Future award-winners, running until 31 March
Posted: Dec 01 2010 | More...
Dialogue - Review
Seventeen's latest exhibition, 'a show with Tourette's', which is open until 23rd December 2010
Posted: Nov 27 2010 | More...
Dialogue - Review
Newspeak part II at The Saatchi Gallery
The second part of The Saatchi Gallery's blockbuster new British art show showing in London
Posted: Nov 25 2010 | More...
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Harry Williams
The Hackney-Wick-based Elevator Gallery ventured across to King's Cross last night to present the second in a series of three talks on contemporary theory. The host is the radical bookshop Housman's on the Caledonian road, and a strange mixture of young arty types and hairy middle aged men in leather jackets crammed into the small space between the 'Noam Chomsky' and the 'Anarchism' sections, sweating slightly on this balmy Spring evening.
Guy Debord and the Situationist International have undergone a muffled renaissance of late in arty circles - an English translation of Debord's 'Society of the Spectacle' (1967) only appeared in 1995 - and this was an excellent brief introduction to his life and work. A good looking, breathy young man - the representative of Elevator - took us through a series of dense quotes from 'Society of the Spectacle', illustrating Debord's adaptation of Marx (the commodity becomes spectacle), and his relation to Foucault's idea of the Panopticon and Baudrillard's sense of 'hyper-reality'.
Debord's literary, abstract prose was grounded in concrete examples, notably the range of toothbrushes on sale at Tesco's (the illusion of choice), and the failure of democracy to offer real choice (Labour and Conservative as effectively the same thing). One of Debord's most prescient ideas is that of 'pseudo-cyclical' time, ie history does not exist in our spectacular society, the pattern of work and leisure repeats itself endlessly with no sense of the past. Yet without an understanding of history, 'states cannot operate strategically'. Here, it was suggested, Debord effectively predicted the disaster of the present occupation of Iraq.
The talk was followed by a 20 minute collage of some of Debord's films. Next up is 'The Postmodern Condition', next Wednesday, 29th April. You can find the Housman's website here.