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Dialogue - Review
Border Farm at the South London Gallery
Two reviews of the SLG's screening of the Thenjiwe Nkosi's docudrama on a group of Zimbabwean "border jumpers"
Posted: Mar 15 2011 | More...
Dialogue - Review
Martin Creed's latest show at Hauser & Wirth's Savile Row galleries
Posted: Feb 18 2011 | More...
Dialogue - Review
A show of three young artists that display strong narratives in their work, showing until 12 March 2011
Posted: Feb 01 2011 | More...
Dialogue - Review
Unheralded Stories at Purdy Hicks
Tom Hunter's solo show at Purdy Hicks gallery on the Southbank, running until January 15th 2011
Posted: Dec 14 2010 | More...
Dialogue - Preview
Our last preview of the year sees openings at LIMA ZULU, Flowers, John Martin, Hive and last chances this...
Posted: Dec 13 2010 | More...
Dialogue - Preview
Openings at Pilar Corrias, Josh Lilley, Space in Between and talks at Gasworks, Paradise Row, and the RCA
Posted: Dec 06 2010 | More...
Dialogue - Review
Bloomberg New Contemporaries 2010 at ICA
The old lady of 'new artist' awards returns to the ICA this year with outstanding film and video...
Posted: Dec 03 2010 | More...
Dialogue - Review
Zigelbaum + Coelho at Riflemaker
Riflemaker exhibits the Miami Basel Designers of the Future award-winners, running until 31 March
Posted: Dec 01 2010 | More...
Dialogue - Review
Seventeen's latest exhibition, 'a show with Tourette's', which is open until 23rd December 2010
Posted: Nov 27 2010 | More...
Dialogue - Review
Newspeak part II at The Saatchi Gallery
The second part of The Saatchi Gallery's blockbuster new British art show showing in London
Posted: Nov 25 2010 | More...
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art advisory - looking for something specific or help in finding work by early career artists. contact info@murmurart.com
Jon Openshaw
People still struggle to see the internet as a platform for creativity. This comes partly from the bespectacled Silicon Valley dwelling stereotype that is yet to be completely shrugged off, but also comes from the very real damage caused as digital availability and transfer tore through some creative industries - music being the obvious example.
There are fantastic creative initiatives going on online however, one of which is making the 200,000 art works in UK public collections available for online viewing. The BBC has promised to turn this into a reality by 2012, announcing a partnership with the Public Catalogue Foundation this week.
Jonathan Jones provided the seeds of a discussion in The Guardian on Wednesday. The ramifications of expanding access to (and therefore dialogue on) art on this scale are huge, and the comments on the article show that people are keen to join the conversation.
Jones mentions Walter Benjamin (briefly and dismissively) at the beginning of his piece, but I think it is worth spending a bit more time thinking about the nature of online art. Although Benjamin doesn't quite cut to the heart of the matter (he was ultimately interested in the political implications of using technology to replicate art rather than the act of replication itself), understanding the impact of the digital medium is clearly important.
The history of art can be seen to be a three-way dialogue between artist, medium and viewer/society. It is short sighted to underestimate the impact of adding another medium to the equation, especially when it looks to be added on such a scale.
This is not to say that anyone sees online as a replacement for viewing art, the question is how will a world of digitally captured and freely available art work change the path of visual consumption. It's sure to augment rather than challenge the art world, but it's also sure to reshape it in unpredictable ways.