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Dialogue - Review
Border Farm at the South London Gallery
Two reviews of the SLG's screening of the Thenjiwe Nkosi's docudrama on a group of Zimbabwean "border jumpers"
Posted: Mar 15 2011 | More...
Dialogue - Review
Martin Creed's latest show at Hauser & Wirth's Savile Row galleries
Posted: Feb 18 2011 | More...
Dialogue - Review
A show of three young artists that display strong narratives in their work, showing until 12 March 2011
Posted: Feb 01 2011 | More...
Dialogue - Review
Unheralded Stories at Purdy Hicks
Tom Hunter's solo show at Purdy Hicks gallery on the Southbank, running until January 15th 2011
Posted: Dec 14 2010 | More...
Dialogue - Preview
Our last preview of the year sees openings at LIMA ZULU, Flowers, John Martin, Hive and last chances this...
Posted: Dec 13 2010 | More...
Dialogue - Preview
Openings at Pilar Corrias, Josh Lilley, Space in Between and talks at Gasworks, Paradise Row, and the RCA
Posted: Dec 06 2010 | More...
Dialogue - Review
Bloomberg New Contemporaries 2010 at ICA
The old lady of 'new artist' awards returns to the ICA this year with outstanding film and video...
Posted: Dec 03 2010 | More...
Dialogue - Review
Zigelbaum + Coelho at Riflemaker
Riflemaker exhibits the Miami Basel Designers of the Future award-winners, running until 31 March
Posted: Dec 01 2010 | More...
Dialogue - Review
Seventeen's latest exhibition, 'a show with Tourette's', which is open until 23rd December 2010
Posted: Nov 27 2010 | More...
Dialogue - Review
Newspeak part II at The Saatchi Gallery
The second part of The Saatchi Gallery's blockbuster new British art show showing in London
Posted: Nov 25 2010 | More...
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art advisory - looking for something specific or help in finding work by early career artists. contact info@murmurart.com
Josie Breese
Reverential silence punctuated by muted conversation and hushed mingling greeted visitors last Saturday at the IMT Gallery. White gloved hands hesitantly peeled apart pages, untied ribbons, unfurled scrolls and pried open boxes and envelopes. Growing numbers crowded around a table to peer at the 'book art form' produced by the alliance AM BRUNO, composed of 24 Central Saint Martin's MA fine art graduates.
Soon the queue for gloves grew impatient and books changed hands, reticence replaced with enthusiasm. Initial viewing confusion of how and whether to approach the works seemed to raise the central ambiguity of the event.
Left unresolved by the overall title of 'Between Gallery and Bookshop', the show did not define the medium but instead offered a consideration of the relationship between visual art and books. There was no express statement or explanation of the exact classification of these projects which spanned delicate loose-leaved bundles to a DIY exhibition in a box to torn canvas reconfigured into a 3D 'book' block bound with string and wax. Skilled draughtsmanship and extensive cartoons challenged the division between illustration and artwork.
Penny Matheson's poignant short stories operated with a gentle humour similar to Sophie Loss's irregular collections of strands or threads, opened with the only phrase of the book: 'Francesca's first husband was an inept lover so she hung his photo over her second matrimonial bed'.
Refusal to categorise the media on display necessitated an exploratory venture through minimal, if non-existent curation. This insistent lack could have been perceived as encouragement of subjective engagement with works. However, at first the behaviour of those approaching the works suggested otherwise. The absence of information and instruction could have been regarded as a careless oversight, or worse, disregard for the viewer. Nevertheless, navigation around the table proceeded at a personal pace, initially guided by the necessity of judging the books by their covers.
'Between Gallery and Bookshop' was organised by IMT Gallery and AM BRUNO on Saturday 25th April. For more information see {this website}.